Journal for the Study of the Old Testament

 

Advanced Search

Journal Navigation

Journal Home

Subscriptions

Archive

Contact Us

Table of Contents

Sign In to gain access to subscriptions and/or personal tools.
This Article
Right arrow Full Text (PDF)
Right arrow References
Right arrow Alert me when this article is cited
Right arrow Alert me if a correction is posted
Services
Right arrow Email this article to a friend
Right arrow Similar articles in this journal
Right arrow Alert me to new issues of the journal
Right arrow Add to Saved Citations
Right arrow Download to citation manager
Right arrow Add to My Marked Citations
Citing Articles
Right arrow Citing Articles via Google Scholar
Google Scholar
Right arrow Articles by Fischer, S.
Right arrow Search for Related Content
Social Bookmarking
 Add to CiteULike   Add to Connotea   Add to Del.icio.us   Add to Digg   Add to Reddit   Add to Technorati  
What's this?
Journal for the Study of the Old Testament, Vol. 26, No. 4, 105-121 (2002)
DOI: 10.1177/030908920202600407
© 2002 SAGE Publications

Qohelet and ‘Heretic’ Harpers’ Songs

Stefan Fischer

P.O. Box 109, CH-4126 Bettingen/Basel, Switzerlandstefan.fischer{at}erk-bs.ch

The book of Qohelet has a seven-fold refrain. In it Qohelet calls for joy. These texts are dependent upon the Egyptian ‘heretic’ Harpers’ Songs of the New Kingdom. The ‘heretic’ Harpers’ Songs agree not only in the content and reason for joy, but also in the use of idioms, phrases and themes, which occur not just in the key texts but also elsewhere in Qohelet. The ‘heretic’ Harpers’ Songs were transmitted to Israel together with the Egyptian love songs, probably already in premonarchic times.


Add to CiteULike CiteULike   Add to Connotea Connotea   Add to Del.icio.us Del.icio.us   Add to Digg Digg   Add to Reddit Reddit   Add to Technorati Technorati    What's this?